High and Dry in Weymouth Museum

Every time I've been out of the water for a while, I wonder whether I'll ever go back.

After all, getting ready for a dive is a lot of hassle. There's all that equipment to sort out, travel to organise, and it's not as if I don't have enough other things to fill my time. Being in a new area doesn't help - I need to make new contacts and find new dive buddies.

But just as I'm getting used to the idea of not getting back into a wetsuit for a long time, something rekindles my desire to strap on a BC and get back under the water. This time it was a visit to Weymouth Museum.

An Underwhelming Presentation

As tourist attractions go, the museum is not very inspiring. Something of a random collection of artifacts grouped loosely by theme. The quality of the information panels is inconsistent and the entire collection is presented incoherently.

That said, we should be glad there's a museum at all and who knows whether it will have a future in the impending 'age of austerity'. Its neglected state is also due in part, perhaps, to the entire building being under threat of imminent redevelopment.

Despite all this, my attention was grabbed by the finds brought up by divers. Elephant tusks, pieces of a P40 Tomahawk aircraft and brass work from HMS Hood were all on display, having been liberated from the seabed over the last 40 years.

By the way, HMS Hood is not the one infamously sunk by the Bismark in the Second World War, but its predecessor. This Hood lies across the southern entrance to Portland Harbour, where it was scuttled during the First World War to block one of three gaps in the huge harbour wall.

Underwater Treasure Trove

I'm easily entranced by the historic, and quickly lured into the hands-on nature of archeology, recovering the past from the soil. Underwater archaeology, even in the primitive form of liberating brass portholes from wrecks, is an exciting new dimension.

I do feel a pang of regret at the thought of ripping old ships to pieces rather than leaving them as relics for divers to enjoy in situ, and I've blogged about it before in 'Scuba Divers are Destroyers'.

But responsible recovery of artifacts has an appeal, as does the experience of simply visiting wreck sites and taking nothing away. Historic sites have a particular resonance and those underwater are even more special simply because they're visited less often.

So while I've left Weymouth Museum disappointed at its representation of hundreds of years of human life, I'm inspired once again to find opportunities to dive in the local seas and start exploring some of the mysteries beneath the waves.